tag:blogger.com,1999:blog-6716570837897460872024-03-12T23:59:03.272-04:00Andrea CallardUnknownnoreply@blogger.comBlogger27125tag:blogger.com,1999:blog-671657083789746087.post-14963205723194739892017-08-01T08:59:00.001-04:002020-09-10T13:46:55.726-04:00XFR Collective Screening at Ulterior Gallery <div class="p1">
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<i><span face="Helvetica Neue, Arial, Helvetica, sans-serif" style="font-size: small;">LESXFR vol. 1<span class="Apple-converted-space"> </span></span></i></div>
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<span face="Helvetica Neue, Arial, Helvetica, sans-serif" style="font-size: small;">Jim C., Andrea Callard, Educational Video Center, Franck Goldberg, Dov Jacobson, Joan Jubela, Mindy Stevenson, and Minoru Yoshida</span></div>
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<tr><td class="tr-caption" style="font-size: 12.8px; text-align: center;"><span face="Helvetica Neue, Arial, Helvetica, sans-serif"><span style="font-size: xx-small;">Video still from</span> <i style="font-size: 9.5px; text-align: start;">Fragments of a Self Portrait #1</i><span style="font-size: 9.5px; text-align: start;">, 1972, by Andrea Callard</span><span class="Apple-converted-space" style="font-size: 9.5px; text-align: start;"><br /></span></span></td></tr>
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<span style="font-size: small;"><span face="Helvetica Neue, Arial, Helvetica, sans-serif"><br /></span></span><span face=""Helvetica Neue", Arial, Helvetica, sans-serif">August 4–6, 11–13, 2017</span><span class="Apple-converted-space" face=""Helvetica Neue", Arial, Helvetica, sans-serif"> </span><br /><span style="font-size: small;"><span face="Helvetica Neue, Arial, Helvetica, sans-serif">Screening reception with XFR Collective: Friday August 4, 7 pm<span class="Apple-converted-space"> </span></span></span><br />
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<span style="font-size: small;"><span face=""Helvetica Neue", Arial, Helvetica, sans-serif">Ulterior Gallery will present </span><i style="font-family: "helvetica neue", arial, helvetica, sans-serif;">LESXFR vol. 1, </i><span face=""Helvetica Neue", Arial, Helvetica, sans-serif">a screening of eight videos presented in collaboration with XFR Collective (pronounced “transfer collective”). The videos have been transferred to digital format from archival footage and capture moments of culture, art, and politics on the Lower East Side and nearby areas over the course of three decades.</span></span></div>
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<span style="font-size: small;"><span face=""Helvetica Neue", Arial, Helvetica, sans-serif">For this video screening, XFR Collective and Ulterior Gallery co-curated footage that evokes the cultures of the Lower East Side and downtown New York from the 1970s through the 1990s. On August 5–6 and 11– 13, the program begins at the top of every hour from noon to 6 pm.</span><span class="Apple-converted-space" face=""Helvetica Neue", Arial, Helvetica, sans-serif"> </span></span></div>
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<span face="Helvetica Neue, Arial, Helvetica, sans-serif" style="font-size: small;">XFR Collective grew out of the <i>XFR STN </i>exhibition at the New Museum in 2013. Organized by Alan W. Moore, co-founder of the Monday/Wednesday/Friday Video Club and a member of the artists’ group Colab, the two-month-long exhibition operated as an open-door, artist-centered media archiving project. After the exhibition closed, Colab member Andrea Callard and moving-image archivists Rebecca Fraimow, Julia Kim, and Kristin MacDonald formed the XFR Collective as a small non-profit organization in 2014. The organization has since recruited a wider membership and today continues its mission to digitize video materials in order to preserve images recorded on obsolete formats that would otherwise be lost.<span class="Apple-converted-space"> </span></span></div>
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<span face="Helvetica Neue, Arial, Helvetica, sans-serif" style="font-size: small;"><a href="http://www.ulteriorgallery.com/">www.ulteriorgallery.com</a><span class="s2"> <a href="mailto:info@ulteriorgallery.com">info@ulteriorgallery.com</a></span></span></div>
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</style>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-6530817965741153752017-07-15T21:10:00.000-04:002017-07-15T21:12:01.413-04:00July 22: Lungs of Sugar in Switzerland<table border="0" cellpadding="0" cellspacing="0" class="m_-7731644347570925273templateContainer" style="border-collapse: collapse; border: 0px; color: #222222; font-family: arial, sans-serif; font-size: 12px; max-width: 600px !important; width: 100%px;"><tbody>
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<strong>OnArte presents video, installation, texts and drawings by<br />Gianfranco Baruchello, Fatima Barznge, Andrea Callard, Rachel A. Carey, Gianluca Monnier and Markus Zimmermann.</strong><br />
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Kindly supported by CBK Rotterdam<br />
(Centre for Visual Arts Rotterdam)</div>
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<strong>—<br />Vernissage<br />Saturday 22.07.2017<br />at 18.00<br />—<br />Opening performance<br />—<br />Aperitivo con gli artisti</strong></div>
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<b>A chant or call. Who is speaking? Harp or wire that makes sounds. Branches. Stretched out twigs yield forms and scapes. Land is veiled. Land is vain and vertical. Land is braid. Land is lost and gained. Land is brittle, bold and frayed. Active longings tendrilise. </b></div>
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The show “Lungs of Sugar” dedicates a stage to sound and ornament. It wishes to approach their qualities - repetition, adornment and processuality - in relation to notions of artistic production, spatio-temporal perception as well as positioning towards our surroundings.<br />
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<b>Un canto o richiamo. Chi parla? Arpa o fil di ferro che genera rumori. Rami. Fronde protese, forme e fusti. La terra è velo. La terra è inutile e verticale. La terra è intrecciata. La terra è persa e conquistata; friabile, audace e sfrangiata. Un vivo desiderio si inerpica. </b></div>
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L’esposizione “Lungs of Sugar” offre un palcoscenico al suono e agli ornamenti delle parole e delle immagini, esplorando gli effetti della reiterazione, dell’abbellimento e della processualità sulla produzione artistica, l’esperienza spazio-temporale e l’ambiente circostante. </div>
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<strong>— </strong><b>Ein Gesang oder Ruf. Wer spricht? Harfe oder Draht, der Geräusche macht. Äste. Ausgestreckte Zweige, Formen und Schaften. Land ist Schleier. Land ist vergebens und vertikal. Land ist geflochten. Land ist verloren und gewonnen; brüchig, kühn und ausgefranst. Lebhaftes Verlangen rankt. </b></div>
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Die Ausstellung “Lungs of Sugar” bereitet Ton und Ornament in Sprache und Bild eine Bühne. Sie tastet sich an die Eigenschaften der Wiederholung, Verzierung und Prozesshaftigkeit heran in Bezug zu Kunstschaffen, räumlich-zeitlicher Erfahrung und Umfeld. <strong><br /></strong></div>
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<strong><strong>Curated by </strong></strong><strong><strong><strong>A cura di</strong></strong></strong><strong><strong><strong>Kuratiert von </strong></strong>Kathrin Wolkowicz</strong></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-33812339132290681902017-06-22T11:09:00.002-04:002017-06-22T11:15:18.475-04:00July 5 6PM AXW Film Festival at Anthology Film Archives<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">REPLAY FROM GREENPOINT</span><br />
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Curated by Lili White</span><br />
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<span style="color: #888888; font-family: "arial";"><span style="color: black;"><span class="aBn" data-term="goog_1273547306" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dashed; border-bottom-width: 1px; position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif; position: relative; top: 2px; z-index: -1;">Wednesday July 5th at 6:00 pm</span></span></span></span><br />
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<span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Judy Rifka; Denise Iris; Amy Hill; Irina Danilova; Fred Hatt; Lili White; Andrea Callard; Cinzia Sarto; Evelin Stermitz; Olga Ohs; Lucia Maria Minervini; Rrose Present</span><br />
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<span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Presented by:</span></div>
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<span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">New Filmmakers NY</span></div>
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<span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">Anthology Film Archives</span></div>
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<span style="color: black; font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">32 2nd Avenue at 2nd Street, NYC ( F train to 2nd Ave )</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">$7 admission enables you to stay for all NEW FILMMAKERS screenings that evening!</span><br />
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Program notes here:</span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;">http://anotherexperimentbywomenfilmfestival.com</span></div>
</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-25952231857369166592017-04-20T11:26:00.000-04:002017-04-20T11:27:27.633-04:00May 7 4:10PM, A Shorts Program at Greenpoint Film Festival Lili White has curated a program of short films including <i>Harbor View</i> and <i>Fireworks</i>. They will accompany a screening of Jonathan Silver: Infidel in the Studio by Coleen Fitzgibbon.<br />
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http://greenpointfilmfestival.org/sunday-program-ii/<br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-90407390739426233512017-04-20T11:19:00.001-04:002017-04-20T11:19:32.500-04:00April 22 1:10PM, BRIC Symposium: Utopian Potentials and Media(ted) RealitiesCOLAB produced three cable TV shows beginning in 1977 or 1978, the All Color News, Potato Wolf, and Red Curtain. Andrea Callard, Julie Harrison, Cara Perlman, and Mitch Corber will talk on a panel beginning at 1:10PM at BRIC in downtown Brooklyn.<br />
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https://www.bricartsmedia.org/events-performances/symposium-utopian-potentials-and-mediated-realitiesUnknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-3408839077008490092016-10-20T14:37:00.003-04:002016-10-20T14:40:58.946-04:00Kim Tyler & Trans-LUXE Present Art + Design at 59 Walker Street October 27, 2016<div class="separator" style="clear: both; text-align: center;">
<a href="https://2.bp.blogspot.com/-l0JHbRvljks/WAkNnWpudjI/AAAAAAAABXo/MZ5TbJgpt2IYw4tBI5A0WkFkuJaQMiSxQCEw/s1600/TransLuxeInviteFinal%2B%25281%2529.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="295" src="https://2.bp.blogspot.com/-l0JHbRvljks/WAkNnWpudjI/AAAAAAAABXo/MZ5TbJgpt2IYw4tBI5A0WkFkuJaQMiSxQCEw/s400/TransLuxeInviteFinal%2B%25281%2529.jpg" width="400" /></a></div>
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Kim Tyler and Trans-LUXE are combining paintings, photographs, ceramics, textiles, and lighting in a room in the Trans-LUXE space at 59 Walker Street in NYC. Join us Thursday October 27th, 5-9PM<br />
Also by appointment through November 18, 2016. 212 925.5863Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-89193745530462077682016-04-15T10:54:00.000-04:002016-04-15T10:55:29.192-04:00A Book About Colab and an A. More Store at Printed Matter COLAB celebrates <i>A Book About Colab</i>, edited by Max Schumann.<br />
Come celebrate tonight, April 15, 2016 6-8PM.<br />
We made a new A. More Store and affordable multiples are for sale.<br />
That's Callard's vintage <i>vague pamphlet</i> on bats in Texas with letters from C.G. Callard, Sr. in the upper right hand corner.<br />
More about the book here:<br />
http://bit.ly/1TVRqPS<br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-61973072605399726452016-04-15T10:41:00.000-04:002016-04-15T10:41:39.834-04:00Orphans Film Symposium #10Orphans 10 happened April 6-9 2016 at the Library of Congress Packard Campus for Audio Visual Conservation. Dan Strieble and Mike Mashon were the master planners. One highlight was having the Library staff pitch in to create live accompaniment for silent films.<br />
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Callard shared <i>Music in Loop Patterns</i>, 1975 by Reese Williams.<br />
During 2015, twelve pieces were digitized: six letters on audio cassette between herself and Williams and six compositions on 1/4 track tape by Williams, several made with the Buchla synthesizer, all from the period of 1974-77. Many thanks to Pamela Vizner, Walter Forsberg, Bleakley McDowell, and Jasmyn Castro who each helped get this done. Listen to one at www.reesewilliams.net.<br />
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Genevieve Havemeyer-King and Pamela Oyarce presented the story of the NYU MIAP/BB Optics preservation of <i>Some Food May Be Found in the Desert</i> (Callard 1976) and we saw the preserved version with the audio Pamela and Callard recreated for 16mm film. See the still below, NYC in a grime-y time.<br />
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We also saw a funny experiment by Colorlab, the sound test film that originally came with Callard's Elmo Super 8mm projector output as a 35mm print and many other gems. Brodsky & Treadway had pulled the sound off the Super 8mm and so it sounded really good.<br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-28479658859635290502015-11-09T14:54:00.001-05:002015-11-09T14:54:11.420-05:00XFR Collective to digitize DV and VHS tapes at MIX 2015There are still a few time slots available. If you have DV or VHS tapes that you want to see again, find the link on this post and send in the form for participation.<br />
This is the XFR Collective's first effort to digitize in public and it is a new, more portable set up.<br />
It is a great thing that we all love working together and get plenty accomplished.<br />
Here is the Call for Participants link:<br />
https://xfrcollective.wordpress.com/goings-on/Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-18368853203153854102015-09-17T15:21:00.000-04:002015-09-17T16:04:31.680-04:00Something Medical for the Peephole Cinema<div style="background-color: white; font-family: Calibri, sans-serif;">
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<i><span style="color: #666666; font-family: 'Gill Sans'; font-size: large;">Kinetoscopic Records</span></i></div>
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<span style="font-family: 'Gill Sans';"><span style="color: #666666; font-size: small;">contemporary short films and videos inspired by the earliest cinema,</span></span><br />
<span style="color: #666666; font-family: 'Gill Sans'; text-align: center;">a program by Dan Streible</span><br />
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<span style="color: #666666;"><span style="font-family: 'Gill Sans';">Opening Reception: </span><span style="font-family: 'Gill Sans';">Friday, September 18</span><sup style="font-family: 'Gill Sans';">th</sup><span style="font-family: 'Gill Sans';"> from 5-7:30</span><span style="font-family: 'Gill Sans';"> </span></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Hosted by UnionDocs </span></div>
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<span style="font-family: 'Gill Sans';"><span style="color: #666666; font-size: small;">Center for Documentary Art, 322 Union Ave. in Williamsburg</span></span><br />
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<span style="color: #666666;"><span style="font-family: 'Gill Sans';">Peephole Cinema exhibitions showcase contemporary media artists while also evoking the proto- and early cinema experiences of the peep show. This UnionDocs program, </span><i><span style="font-family: 'Gill Sans';">Kinetoscopic Records</span></i><span style="font-family: 'Gill Sans';">,</span><span style="font-family: 'Gill Sans';"> invites a collision of the old and new, the earliest movies and born-digital works. The ten pieces replicate qualities of the earliest film shows, an incongruous variety of kinetic, flickery, silent pictures in motion, each less than a minute long. <b></b></span></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">This program’s inspiration is the recent rebirth of one of the first motion pictures ever made, <i>Edison Kinetoscopic Record of a Sneeze, January 7, 1894</i> (aka <i>Fred Ott’s Sneeze</i>). Although its copyrighted images appeared in print in 1894, the <i>Sneeze </i>was not seen in motion until reanimated on 16mm film in 1953. However, only now has the entire recording been reproduced. The new Library of Congress version reveals <i>The Sneeze </i>to be nearly twice as long as presumed, with Mr. Ott sneezing twice in one unedited take. This is its premier public run. </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">The ten movies in five minutes are:</span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">W. K.-L. Dickson, <i>Edison Kinetoscopic Record of a Sneeze</i></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Evan Meaney, <i>Re_Sneeze </i> </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Jodie Mack, <i>All Stars</i></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Joel Schlemowitz, <i>The Invention of the Gramophone</i></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Danielle Ash, <i>Creature of the Gowanus</i> </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Tom Whiteside & Anna Kipervaser, <i>Ott Gotcha </i> </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Andrea Callard, <i>Something Medical </i> <i></i></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Bill Brand, <i>Ornithology 4 </i> </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Mono No Aware, <i>Sneezes</i></span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Bill Morrison, <i>Dancing Decay </i> </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">Peephole Cinema Brooklyn is located on the façade of UnionDocs, Center for Documentary Art in Williamsburg. Films will change about every two months. </span></div>
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<span style="color: #666666; font-family: 'Gill Sans';">For more information please go to <a href="http://www.peepholecinema.com/" rel="nofollow" target="_blank">http://www.peepholecinema.com</a></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-18247812367636734522014-12-19T11:58:00.001-05:002015-09-17T16:00:26.107-04:00Kyle Stephan curates No Wave Program in Brazil<div style="background-color: white; font-family: arial, sans-serif; font-size: 16px;">
<span style="color: #666666;"><i>11 thru 12</i> and <i>Flora Funera (for Battery Park City) are</i> part of a twenty-three program No Wave film series sponsored by the Ministry of Culture of Brazil. Kyle Stephan curated the screenings which will take place at the Centros Culturais Banco do Brasil in Brasilia, Rio, and São Paul, premiere venues for film screenings, art exhibitions, and performing arts in Brazil (<a href="http://culturabancodobrasil.com.br/" target="_blank">http://<wbr></wbr>culturabancodobrasil.com.br</a>). There will be a Portuguese-language catalog with primary documents and original essays to accompany the program. </span></div>
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<span style="color: #666666;">The series screening dates are </span></div>
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<span style="color: #666666;">CCBB São Paulo: November 26 - December 14, 2014</span><br />
<span style="color: #666666;">CCBB Brasília: December 3 -21, 2014<span lang="EN-US"></span><span lang="EN-US"><br />CCBB Rio de Janeiro: December 17, 2014 - January 5, 2015</span></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-66529142476025879392014-09-12T13:02:00.000-04:002015-09-17T16:04:07.519-04:00Women of the Lower East Side, 2014 MoRUS Film Festival<h2>
<span style="font-size: small; font-weight: normal;"><span style="font-family: inherit;">Curated by </span><span style="background-color: white; line-height: 17px;">Jackson Smith</span></span></h2>
<span style="font-family: inherit;"><span style="background-color: white; line-height: 17.9200000762939px;">Monday 8/4 @ Le Petit Versailles, 8pm</span><br style="background-color: white; line-height: 17.9200000762939px;" /><span style="background-color: white; line-height: 17.9200000762939px;"><i>Lispenard Ladder</i> and <i>Contact Mics With Cara</i></span><br style="background-color: white; line-height: 17.9200000762939px;" /><span style="background-color: white; line-height: 17.9200000762939px;">Films by Andrea Callard</span></span><br />
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<span style="font-family: inherit;"><span style="background-color: white; line-height: 17.9200000762939px;">Tuesday 8/5 @ Le Petit Versailles, 8pm</span><br style="background-color: white; line-height: 17.9200000762939px;" /><span style="background-color: white; line-height: 17.9200000762939px;"><i>Notes On Ailanthus</i></span><br style="background-color: white; line-height: 17.9200000762939px;" /><span style="background-color: white; line-height: 17.9200000762939px;">Directed by Andrea Callard</span></span><br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-51430835362477974892014-04-30T11:21:00.001-04:002014-04-30T11:21:15.257-04:00RESX screenings at ABC NoRio April 30 & May 6 7:30PM<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Liza Bear and Steven Englander coordinated this program for April 30, 2014</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">http://bit.ly/Sao5ou</span><br />
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<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Coleen Fitzgibbon and Steven Englander coordinated this program for May 6, 2014</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">It will include Andrea Callard's Notes on Ailanthus and Sample Map #1</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">Details here: http://bit.ly/1mYXiIw</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">ABC No Rio
<br />156 Rivington Street
<br />(between Clinton & Suffolk)
212.254.3697</span>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-35441679178207528682014-04-11T00:43:00.000-04:002014-04-30T11:21:42.369-04:00In and Around Collaborative Projects, May 14 8PM at The Spectacle Theater <span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">This series is curated by Laura Kenner and Rachel Valinsky and it runs in conjunction with springtime programs at James Fuentes
Gallery, ABC No Rio, The Lodge Gallery, and Cuchifritos Gallery +
Project Space, commemorating Colab’s 1980 exhibition/action <i>The Real Estate Show</i>.</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><br /></span>
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">There will be four programs at the Spectacle Theater in May. </span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">On May 14, there will be films by Andrea Callard, Coleen Fitzgibbon, and Liza Bear beginning at 8PM.</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">All details here:</span><br />
<span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">http://www.spectacletheater.com/colab-in-and-around-collaborative-projects-inc/ </span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-46694242748402208392014-04-11T00:40:00.000-04:002014-04-11T00:41:25.457-04:00More COLAB TV at Radical Archives Conference5:10PM Friday, April 11, 2014, NYU Cantor Film Center, 36 E. 8th St., NYC.<strong style="background-color: white; color: #666666; font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: 20.399999618530273px;"><br /></strong>Complete details:<br />
http://www.radicalarchives.net/ra/participants.htmlUnknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-78866748197796494072014-02-26T10:56:00.003-05:002014-04-30T11:22:13.410-04:00Notes on Ailanthus screening<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;">3/1/14 Saturday, 3:30PM, </span></span><br />
<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><i>Notes on Ailanthus</i> will conclude a conference at Indiana University, <span style="line-height: 23.4px;">New Terrain - 8th Annual Landscape, Space, and Place. The location is </span><span style="line-height: 23.4px;">Indiana Memorial Union State Room East in Bloomington, Indiana.</span></span></span><br />
<span style="font-size: small;"><span style="font-family: "Helvetica Neue",Arial,Helvetica,sans-serif;"><span style="line-height: 23.4px;">I will attend to introduce the film. </span></span></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-61597406813680235232013-12-01T13:51:00.001-05:002013-12-01T13:51:42.953-05:0012/6 3PM, Talking about Chris Burden's work at the New MuseumMeet me Friday at 3PM at the New Museum for a talk about Chris Burden's show.<br />
http://www.newmuseum.org/calendar/view/outside-the-box-gallery-talks-andrea-callard-on-chris-burden-extreme-measures-1<br />
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RSVP here:<br />
http://www.tfaforms.com/304579Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-1338618932267870622013-11-09T17:05:00.001-05:002013-11-09T17:08:08.115-05:00Film-Makers' Coop Presents COLAB TV Excerpts at Soho HouseFriday, November 15, 9:30PM<br />
Soho House<br />
29-35 Ninth Avenue between 13th & 14th Streets, NYC<br />
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MM Serra, Executive Director of the Film-Makers' Cooperative, will introduce the program of COLAB TV Excerpts selected by Andrea Callard and Coleen Fitzgibbon.<br />
Reservations must be made in advance by corresponding with filmmakerscoop@gmail.com or by calling 212 267-5665. The event is free.<br />
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Members of Collaborative Projects, Inc. (COLAB) collaboratively made live and prerecorded television for public access cable TV between 1978 and 1985. The works were broadcast as from Jim Chladek’s ETC Studios on 23rd Street which later became Manhattan Neighborhood Network. The shows were <i>All Color News, Potato Wolf, and Red Curtain. </i>Many of the taped shows were later gathered for distribution by Alan W. Moore, Sophie Vieille, and Michael Carter to distribute through COLAB's Monday/Wednesday/Friday Video Club during 1986-2000. Andrea Callard and Coleen Fitzgibbon began to preserve these materials in 2006 in collaboration with Moore. http://235bowery.s3.amazonaws.com/exhibitionlinks/91/XFRSTN_Artists%27Texts_pdf.pdf<br />
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On the occassion of XFRSTN(Transfer Station) at the New Museum during the summer of 2013, Callard and Fitzgibbon first presented a selection of excerpts from <i>COLAB TV</i>. A DVD of longer segments of this material is available at<br />
http://colabtvexcerpts.wordpress.com/<br />
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For more information about XFRSTN:<br />
http://235bowery.s3.amazonaws.com/exhibitionlinks/91/XFRSTN_Artists%27Texts_pdf.pdf <br />
http://235bowery.s3.amazonaws.com/exhibitionlinks/88/2013.7.15.XFRSTN.PRESSRELEASE_2_V9.pdfUnknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-339509699580977672013-11-09T08:56:00.000-05:002013-11-09T09:10:02.712-05:00 TIE - the international experimental cinema expositionNovember 23<br />
Bill Brand presents Alternative Measures, a morning screening at the Richard F. Celeste South Theatre in Denver. The screening will include Andrea Callard's <i>11 thru 12</i>.<br />
<a href="http://www.experimentalcinema.org/">http://www.experimentalcinema.org/</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-35175307953186596832013-10-26T23:03:00.001-04:002013-11-09T09:08:51.221-05:00Back for the Future: Film Restoration in the 21st Century<b><br /></b>
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<b><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-style: inherit;">November 18</span><span style="font-weight: normal;">: </span><span style="font-style: inherit;">Jeff Lambert, National Film Preservation Foundation</span></span></b></div>
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<b style="font-style: inherit;">Films: Preserving the Avant-Garde: The NFPF's Avant-Garde Treasures DVD Set</b></div>
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Working independently, avant-garde and experimental filmmakers have pushed the limits and broken the rules of traditional filmmaking to create their own personal works. Films selected for the NFPF’s most recent collection in its DVD series “Avant-Garde Treasures,” by Carolee Schneemann, Bruce Conner and <b>Andrea Callard</b>, will be presented on film along with a discussion of the particular challenges of preserving these unique, cutting-edge works.<br />
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<a href="http://www.oscars.org/filmarchive/collections/backforthefuture.html"><span style="font-weight: normal;">http://www.oscars.org/filmarchive/collections/backforthefuture.html</span></a></h4>
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<span style="background-color: white; color: #5f5e5b; font-family: arial, helvetica, clean, sans-serif; font-size: 12.800000190734863px; line-height: 23.037500381469727px;">The
Academy Film Archive is hosting a UCLA class, MIAS 210: Ethics of Film
Restoration, on Monday nights at 7:30 beginning September 30 at the
Linwood Dunn Theater. The screenings and discussion are free and open to
the public.</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-36837325088501838602013-09-17T10:18:00.002-04:002013-11-09T17:23:27.480-05:00MODELSLIST<i>11 thru 12</i> will screen Wed, September 18, 2013 here:<br />
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<span style="font-family: arial; font-size: x-small;">You are invited to </span><br />
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MODELSLIST</div>
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#5 in a series of performances taking place in Fort Greene this Summer and Fall</div>
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and "MODELS"</div>
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an exhibition of works by 5 artists, opening the same evening:</div>
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<span class="aBn" data-term="goog_1733538291" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dashed; border-bottom-width: 1px; position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Wednesday, September 18, 2013, 7:30 PM</span></span>...</div>
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65 Saint Felix Street, Brooklyn NY 11217</div>
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<span style="color: black;">MTA: 2, 3, 4, 5, B, D, N, R, Q to Atlantic Avenue / Barclays Center; C to Lafayette Avenue; G to Fulton Street</span></div>
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<span style="color: black;">$5 (suggested for performance)</span></div>
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<span style="color: black;">Organized by <span class="il" style="background-color: #ffffcc; background-position: initial initial; background-repeat: initial initial; color: #222222;">Lucia</span> della Paolera and Sam Ashford.</span></div>
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<b>MODELSLIST: Jonah Susskind </b><b>Elena Cruz </b><b>Dorian Mckaie Jared Madere </b></div>
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- <b>Jared Madere</b>: donuts</div>
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- <b>Dorian Mckaie</b>: made my little elves! </div>
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- <b>Jonah Susskind</b>: REFULGENCE</div>
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- <b>Elena Cruz</b>: To paint the portrait of a bird</div>
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<b style="font-family: arial; font-size: small;">"MODELS"</b><span style="font-family: arial; font-size: x-small;">:</span><b style="font-family: arial; font-size: small;"> Joe Babas </b><b style="font-family: arial; font-size: small;">Andrea Callard</b><b style="font-family: arial; font-size: small;"> </b><b style="font-family: arial; font-size: small;">Jonah Susskind </b><b style="font-family: arial; font-size: small;">Dorian Mckaie Jared Madere</b></div>
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<b style="font-size: 13px;">Joe Babas </b><span style="font-size: 13px;">(1945 - 2007) was an artist and inventor whose body of work was auctioned off for charity at 65 Saint Felix Street the year after his suicide. B</span>abas' body was part prototype (memorabilia design for corporate entities, architectural proposals) and part variation (art).<span style="font-size: 13px;"> </span>Like all bodies, Babas' was held together by the communication between its parts, like a mammal. </div>
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For "MODELS" Babas is joined by <b>Dorian Mckaie, Jared Madere, Andrea Callard, </b>and <b>Jonah Susskind,</b> with works that engage, combine, and disrupt the material reality and abstract potential of the model. <span style="font-size: 13px;">References, processes, and postures are at once obvious and obscure, as each work simultaneously presents and provokes the modes of production, distribution, and identification it models. </span></div>
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MORE TO COME: <span class="aBn" data-term="goog_1733538292" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: dashed; border-bottom-width: 1px; position: relative; top: -2px; z-index: 0;" tabindex="0"><span class="aQJ" style="position: relative; top: 2px; z-index: -1;">Friday, October 4</span></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-49675642105804890032013-08-02T08:35:00.002-04:002013-08-02T08:35:37.170-04:005 September 7PM at the New Museum XFR STN in NYCOn the occasion of XFR STN (Transfer Station) at the New Museum, Coleen Fitzgibbon and I will present clips from COLAB TV highlighting the contributions of women.<br />
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Beginning in 1978, COLAB produced the A<i>ll Color News</i>, followed by <i>Potato Wolf</i> and <i>Red Curtain</i>. Many of those videotapes still exist, stored as the M/F/W Club materials or by individual artists. Coleen Fitzgibbon and I began digitizing COLAB TV shows in 2006 in collaboration with Alan W. Moore.<br />
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Please join us in the NM theater space at 7PM. The museum is free beginning at 7PM on Thursday nights. There are XFR STN events every Thursday at 7PM in the 5th floor gallery space.Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-31471937695438297852013-07-25T10:09:00.000-04:002013-07-25T10:09:14.400-04:00XFR STN<br />
<span style="background-color: white;">(Transfer Station) is an open-door artist-centered media archiving project on the 5th floor of the New Museum in New York City<span style="color: #191919; font-family: DinLight;"><span style="font-size: 23.636363983154297px; line-height: 35.99431610107422px;">. </span></span></span><br />
Make a free appointment online and bring obsolete media to digitize, take away, and archive online. Visit the museum for artist gallery talks every Thursday night at 7PM when the museum is free. There is a paper broadside to read and a resource room with information about the history of Collaborative Projects, Inc. (COLAB) and the M/W/F Club.<br />
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Coleen Fitzgibbon and I have been digitizing COLAB TV since 2006. On September 5th at 7PM, we will share clips from our efforts, focusing especially on the contributions of women. Please join us.<br />
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http://www.newmuseum.org/exhibitions/view/xfr-stnUnknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-16226166405968865402013-04-10T09:47:00.001-04:002013-04-10T09:47:39.022-04:00Talking Landscape: Early Media Work 1974-1984<br />
will be screened at 2:30PM May 12, 2013<br />
at DOXA in Vancouver.<br />
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Here is guest curator Livia Bloom's lovely essay:<br />
http://www.doxafestival.ca/festival/essays/talking<br />
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<a href="http://3.bp.blogspot.com/-69K4U1GD0x4/UWVq6AXPXUI/AAAAAAAAAMQ/0RxP7CCTKy4/s1600/-2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="87" src="http://3.bp.blogspot.com/-69K4U1GD0x4/UWVq6AXPXUI/AAAAAAAAAMQ/0RxP7CCTKy4/s400/-2.jpg" width="400" /></a></div>
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-671657083789746087.post-10885420169444508132013-02-05T08:37:00.000-05:002013-02-05T08:37:14.077-05:00<i>11 thru 12</i> will travel to 11 states in Mexico from February to May as part of AMBULANTE 2013.<br />
It is included in Program 5: First-Person Cinema. The catalog can be downloaded from the website:<br />
<a href="http://www.ambulante.com.mx/" rel="nofollow nofollow" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px; text-decoration: initial;" target="_blank">http://www.ambulante.com.mx/</a><br />
I believe there are vehicles that travel all around Mexico screening documentary and avant guard films.<br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">These are the February 2013 screening times and locations in Mexico City:</span><br />
<br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">February 9th - 19:30</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">Casa del Lago Antiguo Bosque de Chapultepec, Primera sección s/n, Col. San Miguel</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">Chapultepec</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" />I remember visiting Chapultepec Park with my family the year I was 11. I would love to see it again. My grandparents would be so surprised and delighted that I am returning in cinematic form. They shared their winter van camping travels in Mexico via slideshows after dinner on their way back to Michigan. We still have the slides and the diaries.<br />
<br style="background-color: white;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">February 12th - 20:00</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">CCD Estela de Luz</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">Paseo de la Reforma s/n, esquina con Lieja</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">February 17th - 19:00</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">Museo de Arte Carrillo Gil Av. Revolución 1608, esquina Altavista, Col. San Ángel</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">February 19th - 19:00</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" /><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;">Cine Tonalá Tonalá 261, Col. Roma Sur</span><br style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 12.800000190734863px; line-height: 18px;" />Unknownnoreply@blogger.com